Saucy pines for Groove Armada’s good old days.
This is DJ Mau Mau’s playlist, a set about music, parties, and dance, and about why they love each other.
Progress, a natural part of the creative process, allows composer and listener to undergo ever-changing journeys. However, this progress is often a double-edged sword. As artists continue to evolve they run the risk of alienating their audience. If their album has been preceded by singles, people waiting for the debut album will be looking for more of the same, while people new to the group will be far more open to different sounds and styles.
In which our intrepid correspondent journeys deep into hippie/yuppie land to sample some of the most anti-hippie/yuppie music there is.
Jane Tan, aka DJ Siesta, is the loving founder of Phreaktion, a committed follower of drum ‘n bass, and a dedicated party enchantress. Last May, Phreaktion celebrated its 10-year anniversary with a party featuring Andy C. Some days after the party, when Siesta was trying to have a chill out week, we decided to interrupt [...]
[vimeo]http://www.vimeo.com/2631992[/vimeo]
Sam Shepard, aka Floatingpoints (piano player, musician, producer, and DJ) has been making music since his early teenage years, and is now beginning to taste fame as Floatingpoints grows in popularity on the international music scene. One of his inspirations for music is the creative jazz musician Sun Ra, for whom he wrote the track “For [...]
演奏合成器的Evan Mast和吉他家Mike Stroud,也被称为Ratatat,是具有一个灿烂的未来的经典作曲家。 他们收集并用了一序列旧和新的工具来创作一种应在头脑的深处里演奏的分层、数字化改变的杰作。从些长发的人采集并点燃了几条树枝以后,我们没看到过这么全新的事情。他们让我们明白只要把自己的匠心潜力增加到最大限度音乐就会得到的效果。
Synthesizer driver Evan Mast and guitarist Mike Stroud, otherwise known as Ratatat, are classical composers for a brilliant new future. They have collected and utilized an array of old- and new-fangled tools to create layered, digitally altered masterpieces to play in the deep recesses of mind space.
You can’t get more ‘Shanghai Music’ than this: a song about Shanghai 2010 World Expo! It’s got Yao Ming talking, Jackie Chan singing (hell, why not?), mildly ludicrous dancers and the obligatory digitally-enhanced and idealised presentation of our fair city.