Let Us Rock: Thoughts on Jason Falkner and the Mao LH Show

November 24th, 2009 | Posted in Live Music Reviews by mike


There was much wonderment all across the blog-o-sphere about why Mao Livehouse was having a Grand Opening when they had already opened, more grandly than softly, two months earlier. We now have the answer: Crystal Butterfly wanted an excuse to get back together and, as my friend Ed said, “pretend they’re U2.” The other review of the show has the blogger’s friend saying exactly the same thing, so that’s conclusively solved. The stage show was indeed spectacular, with a video thingy behind them, floodlights, dry ice, and even a go-go dancer for one song. It did end up making them look a bit foolish as they were outdone in terms of crowd support (Crazy Mushroom) and music (Jason Falkner) by their “opening acts.” I missed Biz so I can’t comment on their effect. The aforementioned review by Jake Newby goes into some depth on Crazy Mushroom and Crystal Butterfly, and he’s got another one comparing that show and the 0093 CD release show this weekend. Luckily for me, it’s their policy over at kungfuology to only talk about Shanghai/China bands, so I’m not giving you leftovers in talking about Jason Falkner, who put on the best rock show I’ve been to in China.

jasonfalknerNow I seem to have been pretty much alone in the judgement they were the best band to play even at that show, to say nothing of others. Ed wasn’t too enamored of Mr. Falkner and co., referring to it as “dad-rock” and the crowd showed them less love than they showed to either the Mushrooms or Crystal Butterfly. I’m not sure if the rest of the crowd was turned off by the style or it was just a case of being a band that nobody has heard of. I had never heard his music until I checked out his Myspace the day before the show. I thought it sounded nice and rocky but I wasn’t blown away to anything like the extent that I was at the show. I don’t know, maybe it’s too retro for some people, but I had a great great time with a stupid grin or funky grimace–a sort of cousin of jazz face (GFW’d)– the whole time. I know music has many uses to many people and some people would rather hear a good idea poorly executed, or focus more on lyrics or stage presence or whatever, but I’d be interested to hear if other people agree that musically they totally blew away the Mushrooms and Crystal Butterfly. I felt especially bad for CB’s drummer who had to sit down on the drum set that Petur Smith had just metaphorically peed all over and set on fire.

As fun as the Mushrooms were the drummer drags a bit and their guitarist suffers from Chinese Pop Song Guitar Solo disease, where licks are trotted out without any connection between them. I’d take the Crystal Butterfly solo over that. It wasn’t too technical but it did at least fit with the song. And that’s what I’m talking about when I say that Jason Falkner’s band blew the other two bands away: it wasn’t a case of merely having more technique (though they seemed to have that too); they just executed musically on a much higher level. Being a bassist, I am unsurprisingly more focused on rhythmic feeling than most people. It even took me way too long to get into the Beatles because they sounded to rhythmically square for me. Petur Smith, though, was just so much better than the drummers in either of the other bands. He pushed the groove when it needed to be pushed, played the snare a little behind the beat when it needed to be pulled, and when he played fills they fit with the whole song rather than being a bit desultory. It’s not like groove is some esoteric thing, it’s something you can feel in your body, and the Jason Falkner set just felt so much better. Besides that, Mr. Falkner was always in tune and has a beautiful voice. The guitar solos all had a point that they were moving towards musically. The lyrics aren’t great (not that I noticed them at the time) and the style is a bit old-fashioned (even Crystal Butterfly had some sampled drums going on at time during their show) but there were nice little melodic surprises here and there. But the thing that got me excited was that everything was just so alive and directed, especially compared to the other bands I heard that night.

I certainly don’t want this to turn into a Shanghai/China bashing thing because there are bands here that I have greatly enjoyed (Hedgehog and AV Okubo being two) and I think it’s fine for any one band, or even a whole genre, to not really groove. For musicians like the Beatles and Bob Dylan, both of whom I used to dislike for not being musically expressive enough, being a bit limited as musical performers can highlight the strength of the writing. The thing is just that I would love it if there were more bands here that could express their ideas more clearly and with more life, and especially that had more of groove. Rock is a genre that really should groove. They even have a word for grooving as it pertains to rock music: to rock. I think as we move into this expo year we should all really focus on rocking as hard as we can, so the world can see that China’s peaceful rise is also a rockin’ rise, and rejoice with us.


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Editor’s Picks Nov. 20-22

November 20th, 2009 | Posted in Editor's Picks by mike


Friday:

BIZ, Crystal Butterfly, Crazy Mushroom, Jason Falkner

The line-up for the grand opening of Mao Livehouse is: a super veteran Shanghai act, a favorite of the last couple years in Shanghai, a new local act, and a critically acclaimed even more super veteran singer/songwriter/session musician from the US. Sounds just right and their doubans/myspaces sound better: metally, punky, straight rocky, a little of everything, and everything nice and SOLID. Don’t laugh that they’re having the grand opening now when they’ve been open for months and everybody knows about them, because the show is free! Nice work, Mao Livehouse!

Crystal Butterfly

Crazy Mushroom

Jason Falkner

Mao Livehouse, 570 Huaihai Xi Lu, near Hongqiao Lu

9:00 start

No cover

Rich Medina

Straight from New York! Back to the Roots brings Rich Medina and his broad spectrum of funky danceability and eyebrow-raising ingenuity (the “I like what you’ve doing there” eyebrow-raising not the “what the hell are you done there” eyebrow-raising) to Ye Olde Shelter. Scope the Shanghaiist interview. Support from his friend and colleague Jay Soul, and the Lab Crew.

The Shelter, 5 Yongfu Lu near Fuxing Xi Lu

10:00 start

60 RMB cover

Saturday:

Rock for Roots and Shoots, with Booji, Triple Smash, Boys Climbing Ropes, Duck Fight Goose, Varde, and Resist Resist

I was going to pick Au Revoir Simone in this spot because I’ve picked shows involving BCR and Duck Fight Goose in my last two columns, but Au Revoir Simone don’t feel natural enough, and the show is expensive besides. Maybe if I was in a car on a rainy day and the girl I had a crush on liked them I could get into it, but I can’t in good conscience tell people to pay a lot to see them perform. It’s too bad because I saw the listing and thought to myself, “Oh, they have some Brooklyn Hipster band that everyone likes? Maybe I’ll finally make it to Mao.” It looks like I’ll have to wait for next time.

So on to the show I am picking: It’s all those bands you see above, and it’s to help pay for the planting of one million trees in Inner Mongolia. That’s a lot of bands. And trees up there in the North are pretty important. It’s way too dry up there.

YuYinTang, 1731 Yan’an Xi Lu, enter from Kaixuan Lu

6pm start (really? wow.)

50 RMB (The equivalent of 2 trees apparently. And that money all goes to Roots and Shoots.)

Brainfeeder Showcase II with the Gaslamp Killer

This will be the last Free the Wax show in Shanghai for a little while. Leo is on his way to Italy soon and Kat is already there. There will certainly be way fewer live electronic nights without them. Anyway, this final show is presented with Subculture and features Gaslamp Killer, aka MOTHERFUCKING GASLAMP KILLER, apparently. He plays some pretty far out but groovy dark stuff with a rock flava. According to Morgan’s Mp3 Monday “he’s ‘the shit’ right now in underground hip-hop DJ circles in the States.” So don’t cry, Shanghai. With Deville, dji, Drunk Monk, and MC Didje.

The Shelter, 5 Yongfu Lu near Fuxing Xi Lu

9:00 start

50 RMB cover

Sunday:

Reso No. 9

Finally, it’s Sunday, so why not get a little out there with sound and word worker Yan Jun from Lanzhou via Beijing, and free improvisers Jun Yuan (of MTDM) and Mai Mai (aka 卖笑国大使), both from Shanghai?

YuYinTang, 1731 Yan’an Xi Lu, enter from Kaixuan Lu

9:00 start

30 RMB


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